Every time I design a new course or come up with a new idea, it’s always in response to listening to actors talking about things they’re struggling with or frustrations about the industry. I’ve seen a lot of headshots over the years. Some great and some really, really poor ones. When an actor joins this industry, how do they know what is good or not? How do they know how to prepare themselves properly for the shoot and do they even know themselves well enough to be creating their sales pitch in the first place? It got me thinking. 

I approached my really rather talented cousin James of Shift Focus / James Green Photography to see if he wanted to join forces to offer headshots to actors training with us at Both Feet. He was totally game. And what a wonderful treat for me - I only have three blood relatives left and he’s one of them so getting to bring together our two lives/major passions is really quite special.

James is technically a phenomenal photographer, he absolutely knows his stuff. He is most definitely an artist rather than someone who’s just bought a nice camera so I knew our skills would be a perfect match.

The biggest hurdle with headshots is providing a space where an actor can be themselves, which means it needs to be safe. I figured if I’m working with actors who I’ve been training, they already trust me, they already know the space will be safe. Plus I know them well enough to be able to coach them on different looks and through any struggles they might be having and push them to be simple but bold and brave.

I’m a firm believer that we’re better together. So, instead of doing solo shoots I wanted to run a whole day shoot with up to 8 actors. This would mean everyone would have time to change clothes and hair etc without a load of pressure but most importantly comradery would lift spirits, ease nerves, offer inspiration and raise the bar. 

James and I ran our trial shoot in January and I’ve got to say, we’re both pretty chuffed with the outcome. Always learning and ready for what's next, we’re now planning our next Headshot Day and designing a similar set up for Showreels - very exciting!!

It’s worth saying that I have zero interest in going into headshots and showreels but I do have a deep rooted investment in the actors I work with so, what James and I are offering will only be open to actors training with Both Feet. ​

See you soon?
​Steph x

Money is tight. Headshots are important, an investment, your marketing material. Yet for some reason I see so many actors be unprepared when it comes to choosing photographers and attending their shoot.  Here are a few thoughts from me on making every penny count.

1. What do you need?
   A question I ask in the training room and rehearsal room a lot but it’s also relevant here. I do mean literally - are these your first headshots or are they top ups? What kind of pictures do you need? But I also mean what do you need to make you feel good, to get the best out of the session? I believe as an actor, knowing what you need is your best tool. 
2. Choose carefully
   Take your time and research properly, don’t be lazy. Find actors you know and look at their head shots. Are those pictures a true representation of them? Is there a good range? Are they over edited or are they real? If so, see who the photographer is. Just because someone gives you a recommendation, this doesn’t mean you should just book them. Everyone is different. 
3. Trust your gut
   A good headshot photographer will make you feel comfortable, and this should be reflected in their communication with you beforehand. If your gut is questioning your choice, listen to it. 
4. Before you go
   Don’t get carried away in the beauty salon. Of course if you want to do the usual, do it but remember these pictures need to be a true reflection of you. So going and getting a mega fake tan, inch long eyelash extensions and/or your nose pierced the morning of the shoot to make you feel more confident may not be the best plan. Same with clothes - if you're not used to wearing those shapewear knickers or that woolly jumper, now might not be the time to rush out and buy them - think carefully about what items you choose - you want to exist in front of the camera with as much ease as possible. 
5. Be ready
   What can you do with clothes, makeup and hair to give yourself as many basic options as possible? Of course you can’t do all options but what small changes can you make to encourage a casting directors imagination? Make sure you think about this before you go so you’re fully prepared. Beard/no beard. Slick back hair/free down hair. Glasses/no glasses. Hoodie/shirt. Be clever. 
6. Enjoy yourself
   I don’t actually know many actors who like getting in front of a camera so check in with yourself - what small things can you do to allow yourself to be open and to make it an enjoyable experience? Is it that you need to arrive early to grab a coffee? Smells can have a profound effect on our senses and state of mind, use it to your advantage with a spray of your favourite perfume or a few drops of lavender. Might music help, on your way there and/or during the shoot? Even though shoes won’t get seen in the picture, they can have a huge difference on how we feel so why not take a couple of options? Work with the photographer, don’t rely on them to do everything, they don’t know you like you do.
7. Be honest
   If I trust anything it’s that honesty reads better than bullshit. Once you get there if you’re feeling nervous, don’t hide it. Let it be a part of the moment. If you’re shooting different ‘looks’ don’t fake it, feel it - use preparation techniques you’ve tried and tested during your training or work.
8. Most importantly, you are who you are, you have what you have
   These pictures are a marketing tool for you. You are enough, just as you are: your colouring, size, shape, lines, curls, markings are all you. Celebrate it all. Be kind to yourself. Maybe it’s the bits you’re less fond of that’ll get you the role so let them be seen.

Since writing this blog we've actually started to run our own Headshot Days with me (Steph) coaching and James of Shift Focus behind the camera. Find out more HERE.